三、 申論題1. Michael Rush 在他 2005 年的著作《新媒體藝術》(New Media in Art)一書卷首開宗明義地表示：One of the characteristic perceptions of twentieth-century art was itspersistent tendency to question the long tradition of painting as the privilegedmedium of representation. Early in the century Braque’s and Picasso’sdetermination to incorporate everyday material in their paintings (…) wasexpressive of their struggle to extend the content of the canvas beyond paint. This“struggle with the canvas” pointed the way for scores of twentieth-century artists,from the Russians Malevitch and Tatlin, to Pollock at mi-century, to a painter suchas Richard Prince whose abstractions take shape in a computer before they arepainted onto the canvas. Abstraction, Surrealism, and Conceptualism, to name buta few twentieth-century forms, all participated in a profound questioning oftraditional painting.請問您是否同意作者的觀點? 請發表你對這段文字的看法。